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Eyes on the Big Screen

Composed by Pooja Pillai
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Posted: January 12, 2018 12:19 am


Stills from Lipstick Beneath My Burkha

No a person can deny that a adjust is sweeping via Indian cinema. Movie industries throughout the place — fueled by contemporary blood and new technologies — are not only hard stale notions about what type of stories ought to have to be advised on the large monitor, they’re also hard outdated techniques of making videos and introducing a lot more assorted factors of watch. To place this in the context of bigger changes in India and the globe, the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai, is internet hosting a a few-working day film festival termed “India and the Environment: The Transforming Narrative”, in excess of the study course of which modern route-breaking films these as Newton, Mukti Bhawan, Lipstick Beneath My Burkha, Ajji, and A Loss of life in the Gunj will be screened.

The festival opens this evening at 5 pm with an address by filmmaker Anurag Kashyap. Writer Anuraadha Tewari, who has conceived and curated the event, states that the very first edition of the festival has been organised to complement the ongoing exhibition, “India and the Environment: A Heritage in 9 Chapters”. “The exhibition is unique because it seems to be at Indian background in relation to the rest of the globe. That is also how we should be looking at Indian films now, because quite a few of individuals remaining built now are not just portion of a bigger nationwide motion, but are also in conversation with cinema on the global stage,” she states. Although a museum may perhaps seem to be like a stunning decision of location for a film festival, Tewari points out that the plan is to emphasise the significance of looking at cinema as portion of a bigger cultural heritage that requires to be examined and preserved. “We as a place have a lousy file when it will come to archiving films, and that requires to adjust,” she states. Although the very first edition of the festival is dominated by Hindi films — the only exception is the Marathi film Ajji — Tewari hopes to go broader with upcoming iterations.

In reality, encouraging successful conversations about cinema is an significant portion of the festival agenda and at the stop of each individual screening, Tewari will be engaging the audience in a dialogue. Each film will also be introduced by someone related with it, and the final working day of the festival will have a panel dialogue featuring actor and filmmaker Konkona Sen Sharma, filmmaker and writer Ashwiny Iyer Tiwari, writer and producer Siddharth Anand Kumar and screenwriter and lyricist Niranjan Iyengar.

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